Ann Rabson Press Kit

ANN RABSON PRESS KIT

May be copied and used for publication.
Please credit photos as indicated.


Bio:

Ann was first touched by the blues at age four when she heard Big Bill Broonzy on the radio. Ann says, “His music spoke to me; my world went from black-and-white to color.” Little did Ann know that that three-minute experience would lay the foundation for her adult life. Now in her fourth decade as an internationally acclaimed songwriter, recording artist and performer.... read more about Ann: html text or Microsoft Word

Management:
Patricia Morgan
momorgan2 @ yahoo.com

Booking:
BMA Tours
Phone: 704-525-1559
Fax: 704-525-1561
E-mail: click here

Discography: click here

Performance schedule: click here

Photos (click on thumbnail for full-screen image)

Photo by Russ Kidd.
Photo by Russ Kidd
300 dpi, 12.0" x 7.9"
Photo by Russ Kidd.
Photo by Russ Kidd
150 dpi, 8.8" x 6.0"
Cover of new album; painting by Jackie Merritt.
Painting by Jackie Merritt
(album cover)
300 dpi, 4.8" x 4.7"
Front: Ann, Mimi Rabson; rear: Steve Rabson, Dave Harris, Kenji Rabson, Liz Rabson Schnore; photo by Liz Rabson Schnore.
Photo by Liz Rabson Schnore
(Ann and family)
300 dpi, 5.4" x 4.3"
Photo by Bonnie Tallman.
Photo by Bonnie Tallman
300 dpi, 8.5" x 6.4"
Photo by Dan Fitzpatrick.
Photo by Dan Fitzpatrick
200 dpi, 5.8" x 6.0"
Photo by Tim Rasmussen.
Photo by Tim Rasmussen
200 dpi, 7" x 6"
Photo by Dan Fitzpatrick.
Photo by Dan Fitzpatrick
300 dpi, 5.6" x 5.0"

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Ann Rabson

Despite worldwide recognition as a distinguished and award-winning musician, Ann Rabson sees herself as simply the vehicle for her art. Seamlessly blending voice, guitar and piano, Ann delivers her music, the blues, in a pure form that delights audiences everywhere.

Ann was first touched by the blues at age four when she heard Big Bill Broonzy on the radio. Ann says, “His music spoke to me; my world went from black-and-white to color.” Little did Ann know that that three-minute experience would lay the foundation for her adult life. Now in her fourth decade as an internationally acclaimed songwriter, recording artist and performer, Ann creates music that speaks to and entertains people all over the world.

A skillful and witty writer, Ann embraces topics of universal appeal. Ann writes about lost love, unconditional love, and when it might be time to just move on from a one-sided love.

Ann Rabson sings in a distinctive contralto voice. Her smoky, gritty delivery draws from a wide vocabulary of bluesy bends, squeals, and sensual whispers to match the story she is telling.

Ann still plays the first instrument she touched as a child—a guitar found in her father’s attic. Attracted to the Piedmont style of guitar picking, Ann created a unique and ear-catching sound all her own. At age thirty five, Ann decided to learn the piano. Now honored as a member of the Boogie Woogie Hall of Fame and praised as having the “best left hand in the blues,” Ann brings the historic blues, boogie-woogie, and barrelhouse styles front and center. Her ability to play challenging left- and right-hand melodies while singing is nothing short of magical! Downbeat magazine says Ann plays “with staggering authority.”

Ann has been nominated nine times for a Blues Music Award (formerly W.C. Handy Award) as Traditional Blues Female Artist of the Year. In 2008 she was nominated for Pinetop Perkins Piano Player of the Year; her first solo album, Music Makin' Mama, was nominated for Album of the Year in both the Traditional Blues and Acoustic Blues categories; and her composition Elevator Man was nominated for Song of the Year.

Ann's solo recordings also include Struttin’ My Stuff and In A Family Way. She recorded nine albums with the widely popular group Saffire—The Uppity Blues Women, which she co-founded in 1984, and she has also recorded with numerous other artists.

An Ann Rabson concert is like an intimate family gathering, regardless of the size of the audience. Her relaxed and unassuming demeanor sets the stage perfectly for her earthy and unvarnished performance. Presenting her own music and that of blues pioneers such as Ma Rainey, Bessie Smith, Memphis Minnie, Leroy Carr, Tampa Red, and Big Bill Broonzy, Ann takes the audience on an unrestrained musical journey. The New York Blues and Jazz Society says, “Ann has it all, the artful use of double entendres, a salty sense of humor, truly imaginative piano and guitar work.”

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